Martin Lee Stephenson
Experimental sound, word and visual artist, producer/writer for SPOONCURVE, FAYE ROCHELLE, DOPPLER 20:20, APOLLON, KOAN, VULSE...other credits incude: MOONDOGG, PIGFACE, LAW AND ORDER, UTOMICA, KULJIT BHAMRA, SANGEETA, ERIC MINGUS, SONS OF THE SUBWAY.... Worked with World/Folk/electronic/whatever musicians: Billy Bass Nelson {Funkadelic, Parliament}, Steafan Hannigan ,Saskia Tomkins, Flea, Chi2, Rat Scabies, Glen Matlock,Patricia Kass, Transvision vamp, Nosferatu,G force,Lol Gellor {Koan, Desmond Decker, Sarah Cracknell} Collen Gregory, Robert H King, Pearl, Muslimgauze, Cranium HF, Funkturm, Tasha killer pussies, Bedouin Ascent,Oyster, DJ Hustler, Bobbi Style, Jon Martin, Bob Derwood Andrews{Generation x, Westworld}, Larry Lush, Hopa, Nick Chown{The Bolshoi},Thunderstick, Nick Beggs, Genesis P Orridge, Mike Lindup{Level 42}, Balbir Bittu, Michael Garrick,John Mccoy, Nigel Eaton{ Afro Celts, Peter Gabriel, Page and Plant}...
I am the Grandchild of Music Hall performer Leslie Harris and the Great Grandchild of Lyric writer Phil Harris.
I've had some music used on films, including: Better than chocolate {Canada}, SRC Punk {Miramax}FLASH {US} and A QUIET DESPERATION {UK} amongst a few others.
These days I concentrate on mainly SPOONCURVE and APOLLON releases, and also experiment much of the time with my first instrument, bass guitar.